{"id":12,"date":"2014-06-14T10:14:23","date_gmt":"2014-06-14T09:14:23","guid":{"rendered":"http:\/\/www.enface.cz\/7x10\/?p=12"},"modified":"2014-06-14T10:14:23","modified_gmt":"2014-06-14T09:14:23","slug":"fenomen-fotografie","status":"publish","type":"post","link":"https:\/\/www.enface.cz\/7x10\/12\/fenomen-fotografie\/","title":{"rendered":"Fenom\u00e9n fotografie"},"content":{"rendered":"

Z prvotn\u00edho n\u00e1ro\u010dn\u00fdch postup\u016f daguerrotypie \u010di mokr\u00fdch kol\u00f3diov\u00fdch desek p\u0159\u00edstupn\u00fdch jen movit\u00fdm a vy\u0161kolen\u00fdm profesion\u00e1l\u016fm fotografie rychle vyr\u016fstala. Vyn\u00e1lez such\u00e9 citliv\u00e9 emulze umo\u017enil masov\u00fd rozmach tohoto nov\u00e9ho m\u00e9dia a slogan George Eastmana a jeho firmy Kodak „vy stiskn\u011bte tla\u010d\u00edtko, my za\u0159\u00edd\u00edme zbytek“ rychle ovl\u00e1dl Ameriku. Tento slogan byl \u0161it na m\u00edru americk\u00fdm zvyklostem, akceptuj\u00edc\u00edm z\u00e1kladn\u00ed pravidlo: kdo chv\u00edli st\u00e1l, ji\u017e stoj\u00ed opod\u00e1l. S t\u00edm u n\u00e1s sice p\u0159i\u0161la a\u017e marxistick\u00e1 ideologie, ale k charakteristice americk\u00e9ho p\u0159\u00edstupu k \u017eivotu se mysl\u00edm hod\u00ed dokonale. Nebudeme si s\u00a0ni\u010d\u00edm p\u0159\u00edli\u0161 l\u00e1mat hlavu, ale budeme to naplno vyu\u017e\u00edvat.<\/p>\n

<\/p>\n

\"Historick\u00e1<\/a>

Historick\u00e1 fotografie George Eastmana z roku 1890<\/p><\/div>\n

V Evrop\u011b u\u017e tento slogan takov\u00fd ohlas nem\u011bl. Jednak tu byla hrdost na to, \u017ee zde se fotografie zrodila, jednak ti\u0161e respektovan\u00fd \u00fazus, \u017ee nov\u00fd vyn\u00e1lez p\u0159ece nen\u00ed pro blbce. A tak se u n\u00e1s postupn\u011b formovalo hnut\u00ed s podtextem snah o um\u011bleckou tvorbu i s t\u00edm, \u017ee se stalo v\u011bc\u00ed cti si fotografick\u00e9 produkty zhotovit vlastnoru\u010dn\u011b. Tedy hand-made v americk\u00e9 interpretaci. Po cel\u00e9 Evrop\u011b vznikaly kluby fotoamat\u00e9r\u016f a jen v\u00a0na\u0161\u00ed republice bylo ve 20. stolet\u00ed takto aktivn\u00edch cca 50 000 nad\u0161enc\u016f. Fotografovali, vyvol\u00e1vali, sv\u00e9 pr\u00e1ce pos\u00edlali do r\u016fzn\u00fdch sout\u011b\u017e\u00ed, vystavovali.<\/p>\n

Dnes, s masov\u00fdm rozvojem digit\u00e1ln\u00ed technologie, se situace jakoby p\u0159ipodobnila k za\u010d\u00e1tku onoho stolet\u00ed. Nemus\u00edte nic um\u011bt, nemus\u00edte o tom p\u0159em\u00fd\u0161let, sta\u010d\u00ed ma\u010dkat spou\u0161\u0165. A pochopiteln\u011b kupovat st\u00e1le nov\u00e9 p\u0159\u00edstroje, nebo\u0165 po\u017eadavky na to b\u00fdt \u201ein\u201c trvale rostou. Se sv\u011btelnost\u00ed a zoomov\u00fdm rozsahem objektiv\u016f, rozli\u0161en\u00edm sn\u00edmac\u00edho \u010dipu, st\u00e1le sofistikovan\u011bj\u0161\u00edm obslu\u017en\u00fdm softwarem a tak podobn\u011b.<\/p>\n

U\u017e jsem se chystal napsat, \u017ee nerostou jen po\u017eadavky na v\u00fdtvarnou \u00farove\u0148 obrazu, ale \u0161krtl jsem to. Roste i kultivovanost, jaksi podv\u011bdom\u011b, sd\u00edlen\u00edm v pam\u011bti zak\u00f3dovan\u00fdch prvk\u016f ze v\u0161ech stran se nab\u00edzen\u00fdch obraz\u016f t\u00e9to medi\u00e1ln\u00ed doby. Virtu\u00e1ln\u00ed doby \u2013 kdy v\u0161echno je p\u0159\u00edstupn\u00e9 jen hned a tady a z\u00edtra u\u017e nebude. Stejn\u011b jako mili\u00f3ny digit\u00e1ln\u00edch fotografi\u00ed, existuj\u00edc\u00edch-neexistuj\u00edc\u00edch na v\u0161emo\u017en\u00fdch nosi\u010d\u00edch, po nich\u017e u\u017e za p\u00e1r let ne\u0161t\u011bkne ani pes. A kter\u00e9 na rozd\u00edl od papyrov\u00fdch svitk\u016f v budoucnu ani nikdo neobjev\u00ed. Ka\u017ed\u00e9 d\u00edlo nakonec p\u0159ece mus\u00ed b\u00fdt vyj\u00e1d\u0159eno v hmotn\u00e9 podob\u011b. A ta ur\u010duje jeho u\u017eitnou hodnotu i trvanlivost. Pro dne\u0161ek i pro budoucnost.<\/p>\n","protected":false},"excerpt":{"rendered":"

Z prvotn\u00edho n\u00e1ro\u010dn\u00fdch postup\u016f daguerrotypie \u010di mokr\u00fdch kol\u00f3diov\u00fdch desek p\u0159\u00edstupn\u00fdch jen movit\u00fdm a vy\u0161kolen\u00fdm profesion\u00e1l\u016fm fotografie rychle vyr\u016fstala. Vyn\u00e1lez such\u00e9 citliv\u00e9 emulze umo\u017enil masov\u00fd rozmach tohoto nov\u00e9ho m\u00e9dia a slogan George Eastmana a jeho firmy Kodak „vy stiskn\u011bte tla\u010d\u00edtko, my…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12","post","type-post","status-publish","format-standard","hentry","category-nezarazene"],"_links":{"self":[{"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/posts\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":0,"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/posts\/12\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/media?parent=12"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/categories?post=12"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enface.cz\/7x10\/wp-json\/wp\/v2\/tags?post=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}